|
|
|
Topics
|
Zen
| Zazen
| Zen
Stories
| Sufi
Stories
|
by
Andreas M. Roth A
first
contact with Zen often takes place through paintings, zen
stories, gardens, architecture, ceramics, or other arts.
Some of these often abstract arts are charactericed by
calligraphic elements, reduced structural forms and great
emptyness. The special effect of Zen arts is based on a
natural relation between form and emptiness. It is like the
remembrance of an old memory which leaves fine emotions and
silence at the same time with the viewer. Zen does not focus
on creating individual forms. Nothing is forced. Everything
is like it is. This quality of highest simplicity and
transparency is easily misunderstood in the west.
During the 20th century Zen has become an inspiration for many western artists architects. In some cases the influence of Zen is visible only indirectly, but for many artists like Mondrian, Kandinsky, Itten, Pollock, Bissier, Tobey, Alechinsky, Cavael, Geiger, the Bauhaus architecs (to name just a few) their discourse with Zen is explicit. The way Zen has influenced the west can be compared with the way chan (the chinese origin of Zen) has influences Japan. It influenced western arts since the 17th century, but only since the 19th century artist started to directly change their works formally. In the second half of the 20th century zen became almost popular and various zen masters founded schools in the west, trying to hand over the authentic spirit of Zen.
Topics | Zen | Zazen | Zen Stories | Sufi Stories | - |